Sunday, 6 January 2013
Sunday, 25 November 2012
LOVE. HOLD
In April 2011 I approached a married couple and asked if they would allow me to photograph them in an embrace. They said yes. Having just started a new relationship myself I felt drawn to them and their commitment.
This became an important image in The Letting Go. A full stop almost. A hopeful portal in to the future.
My relationship didn't last, but the couple are happier than ever and trying for a baby. I wanted to be back in the dark with them, so made this animation. While watching it I found my breathing changed with the flow of the movement.
What a wonderful way to step back in time.
This animation is made from Untitled (love/hold), The Letting Go
© Laura Hynd 2012
This became an important image in The Letting Go. A full stop almost. A hopeful portal in to the future.
My relationship didn't last, but the couple are happier than ever and trying for a baby. I wanted to be back in the dark with them, so made this animation. While watching it I found my breathing changed with the flow of the movement.
What a wonderful way to step back in time.
This animation is made from Untitled (love/hold), The Letting Go
© Laura Hynd 2012
Saturday, 27 October 2012
Lady into Hut exhibitions
While simultaneously creating the work Lady into Hut, I have exhibited twice which enables me to review, edit, show and ultimately move on to the next step of the project.
While living and working as a practicing photographer it is increasingly difficult to concentrate and dedicate time to producing work of a personal nature. Time and life goes by and it goes by and it goes by and then there is no time or life left. While it is beneficial and forever fascinating to work for clients, to be able to produce work from my insides forms the foundations of my practice. Lady into Hut allows me to remove myself from 'society' and absorb my surroundings without constraints.
Having been honoured to exhibit at Casa des Artes in Tavira, Portugal in August 2012, I then showed during Photomonth (East London) in October 2012 including new work produced a month before. Here is a photograph of the installation.
In the coming months I will travel to the hut to see what happens next.
Thoughts on the 'Artist Statement':
As I read my words from three months ago, I find it interesting how as the work progresses and I spend more time on the project, the statement also moves and changes. If I wrote it now it would be very different.
So here it is for my own reference and can be compared to what form the work embodies in the future and a new statement I am bound to write...
The hut sits quietly in the hills as the valley moves and sighs, but it sits with the effect of a monumental tomb. Defiant. Lavishing its influence, denying its love.
While living and working as a practicing photographer it is increasingly difficult to concentrate and dedicate time to producing work of a personal nature. Time and life goes by and it goes by and it goes by and then there is no time or life left. While it is beneficial and forever fascinating to work for clients, to be able to produce work from my insides forms the foundations of my practice. Lady into Hut allows me to remove myself from 'society' and absorb my surroundings without constraints.
Having been honoured to exhibit at Casa des Artes in Tavira, Portugal in August 2012, I then showed during Photomonth (East London) in October 2012 including new work produced a month before. Here is a photograph of the installation.
In the coming months I will travel to the hut to see what happens next.
Thoughts on the 'Artist Statement':
As I read my words from three months ago, I find it interesting how as the work progresses and I spend more time on the project, the statement also moves and changes. If I wrote it now it would be very different.
So here it is for my own reference and can be compared to what form the work embodies in the future and a new statement I am bound to write...
The hut sits quietly in the hills as the valley moves and sighs, but it sits with the effect of a monumental tomb. Defiant. Lavishing its influence, denying its love.
The hut encompasses a person. The overwhelming influence of this place and the loss of its creative patriarch are worked through and transformed into a new legacy through the experience of being and photographing a physical place.
Removed from civilisation to observe, to direct ones gaze. The act and state of looking transforms ones mental attitude or view. Reacting to and experiencing the movements, the sighs, the influence.
Lady into Hut is about transformation. Empirically being, photographing and becoming a place.
“Transformation stories are the means by which we make sense of the world, how we see the connections that, ‘the materialisation of our age’ misses, and they belong to the universe that is ordered, not by reason alone, but by imagination, a universe in which change is the only constant”
John Burnside, foreword [2008], Lady into Fox by David Garnett
Lady into Hut is a work in progress, 2012.
Friday, 27 July 2012
LIVES OF OTHERS
Here are some installation photographs of my work, The Letting Go
Lives of Others was exhibited at William Road Gallery throughout June 2012
all photographs © Laura Hynd
Sunday, 10 June 2012
LADY INTO HUT (working title)
Here is a small selection from a new body of work, Lady Into Hut.
Lady Into Hut - the transformation of a woman through the process of photographing a simple place full of family history.
It is a work-in-progress, and have just heard that some of the photographs so far will be exhibited in August so thought it was about time I shared some of them!
Lots more information and photographs to come with my statement.
UPDATE: This work will be exhibited in Tavira,, Portugal at the Casa Das Artes from 25th August to 8th September as part of a group show [E]Strange[d] and [Interior]ized Landscape, curated by Miguel Proença.
A short statement about Lady into Hut can be found here
all images © Laura Hynd 2012
Lady Into Hut - the transformation of a woman through the process of photographing a simple place full of family history.
It is a work-in-progress, and have just heard that some of the photographs so far will be exhibited in August so thought it was about time I shared some of them!
Lots more information and photographs to come with my statement.
UPDATE: This work will be exhibited in Tavira,, Portugal at the Casa Das Artes from 25th August to 8th September as part of a group show [E]Strange[d] and [Interior]ized Landscape, curated by Miguel Proença.
A short statement about Lady into Hut can be found here
all images © Laura Hynd 2012
Tuesday, 1 May 2012
Thursday, 19 April 2012
OVER THE HILL - TIM ANDREWS
March 2011, I woke at 3am, borrowed a car, and made my way to West Sussex. At around 6am I arrived at the home of Anthony Andrews, greeted by Tim in the driveway.
The moon rose above the musky blue skies and the birds were singing.
Tim Andrews has been approaching photographers for some time now. He was diagnosed with Parkinsons Disease in 2005 and since then has been shot by over 100 photographers.
I photographed Tim in the gardens of his brother's house on a clear, crisp morning. As it became light we finished and drank some coffee.
When editing down to one portrait to give to Tim to raise money for Parkinsons UK, I chose the very first shot of the day. The moon shines above the garden and I asked Tim to walk several yards away from me so I could capture him in a large landscape. But it was the getting to that point that made the edit. The colours and the moon reflect the dream-like morning.
A selection of 50 portraits of Tim are being exhibited at Southport's Wayfarers Shopping Arcade from 1st May.
© Laura Hynd
The moon rose above the musky blue skies and the birds were singing.
Tim Andrews has been approaching photographers for some time now. He was diagnosed with Parkinsons Disease in 2005 and since then has been shot by over 100 photographers.
I photographed Tim in the gardens of his brother's house on a clear, crisp morning. As it became light we finished and drank some coffee.
When editing down to one portrait to give to Tim to raise money for Parkinsons UK, I chose the very first shot of the day. The moon shines above the garden and I asked Tim to walk several yards away from me so I could capture him in a large landscape. But it was the getting to that point that made the edit. The colours and the moon reflect the dream-like morning.
A selection of 50 portraits of Tim are being exhibited at Southport's Wayfarers Shopping Arcade from 1st May.
© Laura Hynd
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